2022 Utah Original Writing Competition

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The Utah Division of Arts & Museums and the SLCC Community Writing Center have chosen 20 writers in seven categories as the winners of the 63rd annual Utah Original Writing Competition. The winners were selected from a total of 246 entries from Utah-based writers.

Manuscripts were reviewed in an anonymous process by judges who reside outside of Utah. First- and second-place winners are awarded prize money ranging from $150 to $1,000, depending on the category.

Past winners of the Utah Original Writing Competition include four past Utah Poets Laureate, including David Lee, Ken Brewer, Katharine Coles, and Lance Larsen.

2022 Submission Details

Since 1958, the annual Utah Original Writing Competition has celebrated Utah’s dynamic and varied voices and aided Utah writers on their path to publication and broader recognition. Numerous awardees selected by our nationally recognized judges have gone on to significant statewide and national acclaim. Please read through the entire guidelines before submitting.

Deadline: June 30, 2022 @11:59 p.m.
Late manuscripts will not be accepted.

Sumission Process: Please submit early to avoid technical issues. Submissions will only be accepted online via Submittable. The Submittable portal for submissions will open on May 2, 2022. 

Questions?: Contact the SLCC Community Writing Center at cwc@slcc.edu.

Printable Guidelines (PDF)

Timeline

May 2, 2022: Submission period opens

June 30, 2022: Submissions due by 11:59 p.m. (MDT) via Submittable.

July-September 2022: Judging of manuscripts

October 2022: Winners and press notified

November 2022: Awards presentation

Guidelines

Book-length Categories: Writers entering categories A through D cannot have a book published (either traditionally published or self-published) or accepted for publication in the category they enter. However, authors can have a book published or accepted for publication in a category other than the one they wish to enter. Example: Jane Doe has had a novel published, but not a nonfiction book. She cannot enter in the Novel category, but she can enter in the Creative Nonfiction Book category.

Previous Publication: Acknowledgment of previously published work or previous performance in competitions should NOT be included on your manuscript. However, in categories A-D, if portions of the work have been published, as permitted (see details for each category), indicate so when asked on the online application form.

Residency and Age Requirement: Submitters must have a 70% physical presence in Utah AND be a legal Utah resident for one year prior to submission and at time of submission. You must be age 18 or older to enter.

Entry Fees: None.

Limits on Entries: Writers are allowed to enter more than one category; however, only one entry per category per contestant is allowed. A manuscript cannot be entered in more than one category. Portions of a larger manuscript submitted in one category cannot be submitted in a second category. First- and second-prize winners in each category are not eligible to enter that category the next year. In the case of alternating categories, first- and second-prize winners cannot enter the exact category they placed in until at least one round of competition in that category has taken place.

Judges’ Decisions Are Final: Judges have sole and final authority in evaluation of manuscripts. If, in the opinion of the judge, no manuscript entered in a category is of sufficient quality to merit an award, none will be given. The judges are not identified until after the winners have been announced. Judges’ comments will be provided for first prize, second prize, and honorable mention only. Under no circumstances should a contestant contact a judge directly. A contestant who does contact a judge may be disqualified. Honorable mentions offer no cash award.

Winning Manuscripts to Remain on File: The manuscripts of the first- and second-prize winners in each category must remain on file with Utah Arts & Museums as part of its permanent collection. In the event a winning entry is later published, UA&M and CWC ask that you provide each agency a signed copy of the work.

Rights: Authors of winning entries retain all rights of publication.

Disqualification: Failure to follow these guidelines may result in disqualification.

Submission Specifications

  • The judging is done anonymously. Do not include your name anywhere on your manuscript(s).
  • Include the title or an abbreviation of the title on the bottom, right-hand corner of each page.
  • Do not include acknowledgments or dedications in the manuscript(s).
  • In general, manuscripts should use 12-point font and be double-spaced. Exceptions can be made for stylistic or narrative purposes.
  • Use the exact same title for your manuscript throughout the application process, including on the manuscript, in the document file name, and on the application form itself.
  • Pseudonyms may not be used. Legal names, spelled consistently throughout, must be used to submit to the competition.

Submission Categories

Categories A-D

For Categories A-D, no part of the manuscript can be published in book form or have been accepted for publication as a book at the time of entry. Work from the submission that has been excerpted on the web, in journals, or in an anthology is acceptable. A-D are first-book categories.

First prize (Categories A-D): $1000

Second prize (Categories A-D): $500

Category A: Novel

Fiction for adults; minimum length: 50,000 words

Category B: Creative Nonfiction Book

Creative nonfiction, including personal essay collections, memoir, narrative nonfiction, biographies, autobiographies, and histories; minimum length: 50,000 words

First prize for Category B includes first option for publication by the University of Utah Press.

Category C: Book-length Collection of Short Stories

Minimum length: 50 pages

This category alternates each year with Book-length Collection of Poetry

Category D: Young Adult Book

Fiction or nonfiction (general or biography), appealing to readers ages 12 through 18. Compilations of stories will be accepted. Maximum/minimum length: none.

This category alternates each year with Children’s Book.

Categories E-G

For categories E-G, no part of the collection can be published in any form, except on the web, or have been accepted for publication at the time of entry.

First prize (Categories E-G): $300

Second prize (Categories E-G): $150

Category E: Poetry

A short collection of up to 10 poems for adults; maximum length: 1,000 lines (total)

Category F: Short Story

Fiction for adults; maximum length: 7,500 words

Category G: Creative Nonfiction Essay

Creative nonfiction for adults, including personal essay and memoir; maximum length: 7,500 words

2022 UTAH ORIGINAL WRITING COMPETITION WINNERS

Category A: Novel, judged by Liz Kay

  • First Place: The Icelanders by Iris Moulton (South Salt Lake City)
  • Second Place: Rush by Larry Menlove (Payson)
  • Honorable Mention: Poets Never Find Peace by McKenna Jackson (Orem)

Category B: Creative Nonfiction Book, judged by Carolyn Jess-Cooke  

  • First Place: Showdown at Crossfire Canyon by Patricia Karamesines (Blanding)
  • Second Place: The Quiet Burden of Stones by Lin Ostler (Salt Lake City)
  • Honorable Mentions: 
    • Dear You, Love Me by Shannon Masayo Martinez (Ogden)
    • Where Dry Rivers Meet by Dylan Mace (Salt Lake City)
    • Excursions With ScoutMeditations on Nature, Solitude and Community from a Life on the Road by Carly Gooch (Saint George)

Category C: Book Length Collection of Short Stories, judged by Kim Fu 

  • First Place: A Stranger in Your Own Town by Andrea Garland (Salt Lake City)
  • Second Place: How I Learned to Be Haunted and Other Stories by Lesley Hart Gunn (Provo)
  • Honorable Mentions: 
    • Monsoon Country by Samyak Shertok (Salt Lake City)
    • Stray Country by K. Turner (Sandy)

Category D:  Young Adult Fiction Book, judged by Hal Shrieve 

  • First Place: Asynchronous by Andrew Grace (Salt Lake City)
  • Second Place: The Novice by Lynn Buchanan (Orem)
  • Honorable Mention: Mag's Book of Questions by Christi Leman (Provo)

Category E: Poetry, judged by CMarie Fuhrman

  • First Place: "The Last Beekeeper" by Samyak Shertok (Salt Lake City)
  • Second Place: "The Trains Never Stop" by K. Turner (Sandy)
  • HonorableMention: "First Poems After the Stroke" by Shanan Ballam (Logan)

Category F: Short Fiction, judged by Anna Cabe 

  • First Place: "Maybe You Should Start Drinking" by Jean Marie Hackett (Park City)
  • Second Place: "Swim" by Elizabeth Barnes (Santaquin)
  • Honorable Mention:  "Little Owl, Lake Michigan" by Dylan Robinson (Provo)

Category G: Creative Nonfiction Essay, judged by Ira Sukrungruang

  • First Place: "The Moth Effect" by Kylie Smith (Salem)
  • Second Place: "A Brief Examination of Mortality" by McKenna Jackson (Orem)
  • Honorable Mention: "The Blue Bathtub" by Shannon Masayo Martinez (Ogden)

View 2021 & 2020 Winners


2022 Utah Original Writing Competition Judges

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Liz Kay

Liz Kay holds an MFA from the University of Nebraska, where she was the recipient of both an Academy of American Poets Prize and the Wendy Fort Foundation Prize for exemplary work in poetry. Her poems have appeared in such journals as Beloit Poetry Journal, RHINO, Nimrod, Willow Springs, and Sugar House Review. Her debut novel, Monsters: A Love Story (G. P. Putnam’s Sons), was published in 2016. Her most recent book, the poetry collection The Witch Tells The Story And Makes It True (Quarter Press), is a retelling of Hansel and Gretel. It is illustrated by Devin Forst. Liz lives in Omaha, NE with her husband and 3 sons.

Carolyn Jess-Cooke

Carolyn Jess-Cooke is an award-winning poet and novelist published in 23 languages. Her most recent novel, The Lighthouse Witch (published as CJ Cooke), was an international bestseller, and a TV series is in development. She is a professor of Creative Writing at the University of Glasgow, Scotland.

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Kim Fu

Kim Fu is the author of the story collection Lesser Known Monsters of the 21st Century, longlisted for the 2022 Scotiabank Giller Prize. Fu’s first novel, For Today I Am a Boy, won the Edmund White Award for Debut Fiction and was a finalist for the PEN/Hemingway Award, as well as a New York Times Book Review Editors' Choice. Her second novel, The Lost Girls of Camp Forevermore, was a finalist for the Washington State Book Awards. Fu’s writing has appeared in Granta, the Atlantic, the New York Times, BOMB, Hazlitt, and the TLS. She lives in Seattle.

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Hal Shrieve

Hal Schrieve is a children’s librarian in Manhattan and the best part of hir job is facilitating comics clubs and creative writing workshops with young people. Hir first book, Out of Salem, was longlisted for the National Book Award for Young People’s Literature. Hal’s comics are featured in We’re Still Here: an all-trans comics anthology and the zine Very Online. Hal’s next novel, How To Get Over The End Of The World, will be released in 2023. Follow Hal at @howlmarin on Instagram and @hal_schrieve on Twitter and @howlmarin on Instagram.

CMarie Fuhrman

CMarie Fuhrman is the author of Camped Beneath the Dam: Poems and co-editor of Native Voices: Indigenous Poetry, Craft, and Conversations. She has published or forthcoming poetry and nonfiction in multiple journals, including Terrain.org, Emergence MagazinePlatform ReviewNorthwest ReviewYellow Medicine ReviewPoetry Northwest, and several anthologies.  CMarie is a regular columnist for the Inlander, Translations Editor for Broadsided Press, and the Director of the Elk River Writers Workshop. CMarie directs the Poetry Program at Western Colorado University, where she also teaches Nature Writing. She is the current Idaho Writer in Residence and resides in the mountains of West Central Idaho.

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Anna Cabe

Anna Cabe is a Pinay American writer living and working in Atlanta. Her work has appeared or is forthcoming in Slate, Rappler, The Margins, Bitch Media, Vice, The Cincinnati Review, The Masters Review, Slice, StoryQuarterly, The Toast, Joyland, and Fairy Tale Review, among others and has been anthologized by Forward: 21st Century Flash Fiction, Not My President: The Anthology of Dissent, and Unbroken Circle: Stories of Cultural Diversity in the South. She received her MFA in fiction from Indiana University and has been supported by organizations like the Fulbright Program in the Philippines and Millay Arts. She is currently a fiction editor for Split Lip Magazine and is completing a novel set during Philippine martial law. You can find Anna at annacabe.com.

Ira Sukrungruang

Ira Sukrungruang is the author of four nonfiction books This Jade World, Buddha’s Dog & other Meditations, Southside Buddhist, and Talk Thai: The Adventures of Buddhist; the short story collection The Melting Season; and the poetry collection In Thailand It Is Night. He is the recipient of the 2015 American Book Award, New York Foundation for the Arts Fellowship in Nonfiction Literature, an Arts and Letters Fellowship, and the Anita Claire Scharf Award in Poetry. His work has appeared in many literary journals, including The Rumpus, American Poetry Review, The Sun, and Creative Nonfiction. He is one of the founding editors of Sweet: A Literary Confection (sweetlit.com), and is the Richard L. Thomas Professor of Creative Writing at Kenyon College. For more information about him, please visit: www.buddhistboy.com.


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